Best Superlux HD672 Black Friday – The cable-bound HD672 Over-Ears from Superlux are manufactured in a semi-open design and have a sound level that would be expected in significantly higher price ranges, which offers an extremely attractive entry into the hi-fi world.
We are pleased to present to you a list of Best Superlux HD672 Black Friday for you. I hope you will choose the best product.
- 1 Best Superlux HD672 Black Friday And Cyber Monday Deals And Sales 2021
- 2 Best Superlux HD672 Black Friday And Cyber Monday
- 3 Soundstage
Best Superlux HD672 Black Friday And Cyber Monday Deals And Sales 2021
Best Superlux HD672 Black Friday And Cyber Monday
In terms of size, the over-ears are not necessarily subtle, but have a handsome appearance. At the same time, the HiFi headphones with a weight of 270g are not a heavyweight, which has a positive effect when worn. The inherently rigid suspension of the headphone shells has a slight play, which ensures sufficient adaptability, especially on the horizontal level, thanks to a very flexible bracket construction. A simple, but well thought-out construction that creates a tight fit with noticeable contact pressure, but also offers a good hold on the go, so that even a short intermediate sprint is easily possible.
The upholstery of the headphone shells, which consists of rubber and is reminiscent of car tires due to the surface texture, is visually striking. An extremely puristic approach, since there is only air underneath the “rubber tires”. In view of the rather tight fit of the over-ears, I would have preferred a softer padding, as the wearing comfort suffers from the ascetic, minimalist solution, which is particularly noticeable when worn for longer periods.
In addition, the rubber padding tends to build up heat despite the semi-open construction. The criticism is put into perspective, however, if the price segment is taken into account, since the processing quality of the HD672 is extremely good and there is nothing else to complain about. On the contrary, the permanently installed, above average long cable of the hi-fi headphones also makes a robust, valuable impression, causes no cable noise and has a gold-plated mini jack plug. The included jack adapter is also gold-plated.
The HD672 has a high output and thus provides ample volume reserves, which also make it possible to use it in a more noisy environment such as public transport. However, the hi-fi headphones are not only loud, they also impress with their clear, balanced sound. The round, harmonious tuning has a direct response and has good stereo imaging without offering a huge stage. What impressed me most, however, was the spatial representation of the over-ears, which I would not have thought possible in this price range. Here the advantages of the semi-open design are used and optimally brought to bear.
In the search for points that can be criticized, it can be stated that the sound also has dull properties, appears slightly washed out and can have nasal tendencies. It is difficult for me to criticize this because of the overall sound quality, which also meets higher, ambitious demands. The bass is always punchy without being dominant, while the mids are present, powerful and detailed. There is no drop in the upper frequencies, so that the highs are present and give the sound a lot of openness. The over-ears cover a wide range of styles by providing listening pleasure in classical, jazz or blues as well as in rock and pop or electronic music and alternatives.
The headphones are very dynamic and have an excellent spatial distribution and at the same time offer excellent insulation. These features make the hd672 an ideal choice for both music appreciation and surveillance. Superlux – hd672 makes it possible to enjoy high-quality sound in real comfort.
Build Quality and Design
The Superlux HD672 is only available in black in the US. In other parts of the world, it will be available in black or white and with a choice of 5 different coloured earpads (grey, black, red, pink and blue).
Two flexible spring steel rods make up the main structure of the HD672. These rods attach directly to the earcups, very similar to what we saw on the HD668B. There is a solid plastic joint partway down the rods that adds solidity and prevents the two rods from separating and thus creating pressure where they connect to the earcups.
The HD672 has a more traditional type self-adjusting headband, the same as the one on the HD681 and HD681EVO. Embossed into the top of the headband is the Superlux branding.
The earcups look similar to the ones found on the HD681EVO. They’re made entirely of a sturdy and lightweight plastic. There are 3 large slits acting as vents and just inside of those is a perforated section that surrounds the centre part of the earcups. The earcups pivot slightly to automatically adjust to the shape of your head.
Now, onto the earpads which are sure to be a matter of contention with many users. Rather than the traditional type that most of us are used to, the HD571 adopts silicone earpads. The earpads are made from a single thin sheet of silicone that wraps around itself to form a hollow interior.
But it’s a big change and comes with a fair amount of risk as people are likely to be wary at first. They are detachable though, meaning you can replace them with third-party pads if desired. So are they comfortable?
Comfort and Noise Isolation
The clamping force created by the flexible spring steel rods is minimal, so the headphone doesn’t press in uncomfortably on your head. The headband is very thin but I found it to be super comfortable on the top of my head. In fact, unless I’m consciously thinking about it, I completely forget that it’s even there.
Of course, everyone will be curious to know about the comfort of these new silicone earpads. For the most part, they are very comfortable indeed. The silicone is softer than the foam pads on the HD668B and there’s nothing inside them except air, so they conform more naturally to the shape of your head. The only caveat is that the silicone heats up very quickly indeed, so your ears can get rather warm.
There is one other major factor that will determine your comfort level with this headphone and that is the shallowness of the earpads. Just like all of the other Superlux models, the HD672 has shallow pads. However, unlike the HD668B there is no sheet of foam padding inside, so if you have larger ears they might be pressing directly against the hard plastic driver covers. This bothered me a bit at first, but after a couple of days, I stopped noticing it and now can comfortably wear the headphone for hours at a time.
Gear used for testing
The Superlux HD672 has a very balanced sound signature that leans towards neutral. Its clarity and detail are superb, as is the tight bass, accurate midrange and crisp, non-fatiguing treble. Despite being quite neutral, the HD672 is not in the least bit boring to listen to. Actually, it is an extremely musical and enjoyable headphone that impresses me more and more with each passing day.
In a word – tight. It has a wonderful ability to carry authority and weight yet still be conservative in terms of quantity. This adds body to the overall sound and warmth to the fundamental tonality of the headphone. The mid-bass is very well-defined because of its fast speed but it has a very natural decay, lending realism and tonal accuracy.
The HD672’s sub-bass is also conservative in quantity and has a fast rumble with a very good extension. In “Echo” by Leech, the intermittent sub-bass note is rendered beautifully by the HD672. The headphone flexes its muscles and leaves no doubt about its ability to bring the rumble but in no way does it infringe on the clarity of the midrange. To summarize; the HD672 plays bass like a master.
The midrange on the HD672 has exceptional clarity and good resolution. The timbre of instruments and vocals is fantastically accurate; and it’s easy to see why people might consider this for use as a studio monitor for mastering and mixing audio.
Vocals have good density and sound very lifelike, as though the performer is standing in front of you. “Ariel” by Anathema is one of the tracks I like to use for testing; because on a lot of headphones, the vocals can sound quite grainy and strained. That wasn’t the case here ~ the HD672 handles the male and female vocals with ease and even though the clarity is so good; it still manages to be smooth.
When I say this headphone is neutral you might get to thinking that it is also dull and boring. That simply is not the case. Yes, it is accurate but it’s also emotive and has a great dynamic range.
The treble is crisp and detailed delivering airiness and sparkle to the mix. It’s not only very clear but is also mercifully smooth. That is to say, it’s not harsh nor sibilant, however, it does not mask any inherent sibilance in recordings.
Similar to the bass, the HD672 is fast in the treble, showing good transients and excellent definition. It does not come as a surprise either, that the treble timbre is very accurate; just as is the rest of the frequency spectrum.
Being a semi-open back headphone promises a sizable soundstage and here the HD672 does not disappoint. It presents a very open feeling stage that is not necessarily expansive but is incredibly natural and unforced. Note density is in no way sacrificed and the imaging and positional cues are outstanding.
The headphone is able to create perceptible layers on the stage, showing an adept manipulation of depth and height. Vocal positioning is excellent, resting at the center of each ensemble. Width in the music is not sacrificed either. The HD672 is able to project sounds outside of the headspace and surprisingly the depth of the headphone seems to reach; just as far as its width.
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